With this Le Rendez-vous Poster, discover the timeless magic of the 1961 film directed by Jean Delannoy. Immerse yourself in a captivating love story, where intertwined destinies and burning passions collide. Let yourself be transported by the intense emotions of this cinematic masterpiece, which still captivates and moves today. Don’t miss this unique cinematic experience, mixing romance, suspense, and depth. “Le Rendez-vous” is a jewel of the seventh art that you absolutely must discover, a true pearl of Jean Delannoy’s filmography that will captivate you from start to finish.
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- 🎨 Canvas: The global standard in printing and imitating a “canvas” look.
- By default, the poster contains a 4cm white border for framing (frame not included). If you don’t want it, please choose “without white border”.
- ✅ Size: several choices available. ✅
- High UV resistance.
- Maximum color brilliance , without reflections.
- Recycled paper guaranteed a environmentally friendly.
- Poster packaged carefully and delivered in a protective tube for total protection.
- FREE STANDARD DELIVERY.
⚠️ Frame not included. ⚠️
Description of this Poster Le Rendez-vous
By coincidence, Pierre Larivière meets his first wife, Madeleine, in a café where she is waiting for her lover, a young photographer working for John Kellermann, the oil magnate who has become Pierre’s new father-in-law, without mutual sympathy. The former spouses exchange a few seemingly innocuous sentences before separating. Édith Larivière, deeply in love with her husband, is torn between him and her father, for whom she works as a secretary. Daphné, his younger sister, who is very aware of her beauty, leads the carefree life of a wealthy young woman, and that evening, she sets her sights on Daniel, the photographer, with whom she begins a tumultuous relationship. In the days that follow, Pierre sees Madeleine again, who discovers Daniel’s infidelities.
One night, while Kellermann and Édith are away attending the launch of an oil tanker, Madeleine, who has just broken up with Daniel, comes to ask Pierre for money and moral comfort. He introduces her to their son Bruno and indulges in a gesture of tenderness that is surprised by the nanny. Meanwhile, Daphné has dinner with Daniel, who ends up throwing her out. In the morning, the young boy is found murdered. Inspector Maillant tries to solve the mystery. The murder weapon is a pistol purchased by Madeleine, but she has an alibi: she was with Pierre at the time of the murder, while Daphné spent the evening with Daniel.
The investigation runs into trouble with the Kellermann family: Larivière agrees to testify that his sister-in-law had dinner with him and spent the fatal evening in his company. The Kellermanns would therefore let Madeleine be convicted if Pierre did not make an effort to prove his innocence. But then, Daphné becomes a suspect, as does Paul, Kellermann’s secretary and Daphné’s lover. Inspector Maillant and Pierre Larivière will each discover the truth, a family secret unknown to everyone, including Pierre, but discovered by Daniel: the existence of a young, disabled sister of Kellermann, Catherine, whom the photographer had managed to make fall in love with and whom he used to blackmail the tycoon, insisting on marrying her in order to enter the family.
Pierre finds his wife and his young sister-in-law. Édith leaves in the car with the young girl, but they argue and cause an accident in which they are both killed. John Kellermann then claims to the inspector that he is Daniel’s murderer, but the inspector does not believe him and guesses that, in reality, it was Édith who killed the photographer. Kellermann lets him know that he does not intend to change his story. Pierre and Madeleine reconcile, and the film ends with Madeleine crossing the beach to find her son.