Find this superb colorful poster of the film Parade by Jacques Tati, whose retro design will be ideal for your decoration and enhance your interior.
- Paper characteristics:
- 🎨 Canvas: global standard in terms of printing and imitating a “painting canvas” look.
- By default, the poster contains a 4cm white border for framing (frame not included). If you don’t want it, please choose “without white border”.
- ✅ Size: Multiple choices available. ✅
- High UV resistance.
- Color vibrancy maximum, glare-free.
- recycled paper, guaranteeing environmental friendliness.
- Poster packaged carefully and delivered in a protective tube for total protection.
- FREE STANDARD DELIVERY.
Parade is a French comedy film and the last film directed by Jacques Tati. Parade was made for Swedish television in 1974 and starred Tati as a clown in a circus.
Tati’s finances were hit hard by PlayTime’s failure to recoup its enormous production costs, after which he sold his family residence. Parade was released three years after Trafic, which had been financed by Dutch capital; Parade was financed by a Swedish television network and, due to severe budgetary constraints, is much smaller in terms of cinematic scope than PlayTime and Traffic. Gunnar Fischer, who had been director of photography on many of Ingmar Bergman’s films, handled the photography for Parade. Filming took place at the Cirkus in Stockholm in 1973 and used a mixture of video, 16mm, and 35mm equipment.
The film begins with a crowd of colorfully dressed people entering a theater set up for a clown-themed show. Tati, as the ringmaster, informs the audience that they are invited to be part of the show, which he calls “the parade.” He essentially serves as the master of ceremonies for a variety show that includes sight gags, mime, juggling, slapstick sketches, dancing, animal acts, musical jokes, and magic tricks. Sometimes, members of the audience participate in the festivities.
The film was screened at the 1974 Cannes Film Festival, but was not entered into the main competition.














