Vintage Poster The Chained

€21,99

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With this The Shackled Poster, add Hitchcock’s unique touch of mystery and detective atmosphere to your interior decoration!

  • Paper characteristics:
    • 🎨 Canvas: global standard in terms of printing and imitating a “painting canvas” look.
    • By default, the poster contains a 4cm white border for framing (frame not included). If you don’t want it, please choose “without white border”.
    • ✅ Size: Multiple choices available. ✅
  • High UV resistance.
  • Color vibrancy maximum, glare-free.
  • Paper recycled, guaranteeing environmental friendliness.
  • Poster packaged carefully and delivered in a protective tube for Total protection.
  • Free standard delivery.

⚠️ Frame not included. ⚠️

Description of this Poster The Shackled

The Shackled is a 1946 American film noir directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman, and Claude Rains as three people whose lives become intimately intertwined during an espionage operation.

The film follows U.S. government agent T.R. Devlin (Grant), who enlists the help of Alicia Huberman (Bergman), the daughter of a German war criminal, to infiltrate a ring of IG Farben executives hiding in Rio de Janeiro after World War II. Things become complicated when the two women fall in love, and Huberman is ordered to seduce Alex Sebastian (Rains), a Farben executive who had previously been infatuated with her. The film was shot in late 1945 and early 1946, and was released by RKO Radio Pictures in August 1946.

Hitchcock is considered by critics and scholars to be a turning point for Hitchcock artistically and to represent a growing thematic maturity. His biographer, Donald Spoto, writes that “Half Moon is actually Alfred Hitchcock’s first attempt—at the age of forty-six—to put his talent toward creating a serious love story, and his story of two men in love with Ingrid Bergman could only have been made at that stage of his life.”[4] In 2006, Half Moon was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

In April 1946, Alicia Huberman, the American daughter of a convicted Nazi spy, is recruited by government agent T. R. Devlin to infiltrate an organization of Nazis who escaped to Brazil after World War II. When Alicia refuses to help the authorities, Devlin plays her recordings of her arguing with her father and insisting that she loves America. While waiting for details of her assignment in Rio de Janeiro, Alicia and Devlin fall in love, though his feelings are complicated by knowledge of her promiscuous past. When Devlin is ordered to persuade her to seduce Alex Sebastian, a friend of her father and a senior member of Farben’s management, Devlin is unable to convince his superiors that Alicia is not cut out for the job. Devlin is also informed that Sebastian was once in love with Alicia. Devlin is stoic when he informs Alicia of the assignment. Alicia concludes that he was simply pretending to love her for the job. Devlin arranges for Alicia to meet Sebastian at a riding club. He recognizes her and invites her to dinner, where he tells her he always knew they would be reunited. Sebastian promptly invites Alicia to dinner the following evening at his home, where he will entertain a few business acquaintances. Devlin and Captain Paul Prescott of the U.S. Secret Service tell Alicia to memorize the names and nationalities of everyone present. During dinner, Alicia notices one guest becoming agitated at the sight of a certain bottle of wine and is quickly removed from the room. When the gentlemen are alone at the end of dinner, this guest apologizes and attempts to return home, but another insists on leading him, implying that he will kill him.

Soon, Alicia reports to Devlin, “You may add Sebastian’s name to my list of playmates.” When Sebastian proposes to her, Alicia informs Devlin; he coldly tells her to do as she wishes. Deeply disappointed, she marries Sebastian.

After returning from her honeymoon, Alicia is able to tell Devlin that the set of keys her husband gave her does not contain the key to the wine cellar. This, and the episode with the bottle at dinner, lead Devlin to ask Alicia to throw a big party so he can investigate. Alicia secretly steals the key to Sebastian’s ring, and Devlin and Alicia search the cellar. Devlin accidentally breaks a bottle; inside is black sand, which later turns out to be uranium ore. Devlin takes a sample, cleans it up, and locks the door as Sebastian goes downstairs to get more champagne. Alicia and Devlin kiss to cover their tracks. Devlin makes an exit. Sebastian realizes the cellar key is missing—yet, overnight, it is put back on his key ring. When he returns to the cellar, he finds the glass and sand from the broken bottle.

Sebastian now faces a problem: he must silence Alicia, but cannot denounce her without revealing his own blunder to the other Nazi émigrés. When Sebastian discusses the situation with his mother, she suggests that Alicia “die slowly” by poisoning. They poison her coffee, and she quickly becomes ill. During a visit from Dr. Anderson, a friend of Sebastian’s, Alicia realizes both where the uranium has been mined and what is causing her illness. Alicia collapses and is taken to her room, where the telephone has been removed and she is too weak to leave.

Devlin becomes alarmed when Alicia fails to show up for their appointment for five days and sneaks into Alicia’s room, where she tells him that Sebastian and her mother poisoned her. After confessing his love for her, Devlin takes her out of the mansion in full view of Sebastian’s co-conspirators. Sebastian and his mother accept Devlin’s version that Alicia needs to go to the hospital. Outside, Sebastian begs them to come with him, but Devlin and Alicia leave, leaving Sebastian to his fate.